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Book
ISBN: 0674368010 Year: 2014 Publisher: Cambridge, MA : Harvard University Press,
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Periodical
Year: 2014 Publisher: Abingdon, Oxfordshire, UK : Cogent OA, an imprint of Taylor & Francis,
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Arts --- Humanities --- Fine Arts - General
Book
ISBN: 0674368029 Year: 2014 Publisher: Cambridge, MA : Harvard University Press,
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Periodical
Year: 2014 Publisher: Abingdon, Oxfordshire, UK : Cogent OA, an imprint of Taylor & Francis,
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Arts --- Humanities --- Arts. --- Humanities. --- Fine Arts - General
Book
ISBN: 9783938002445 Year: 2014 Publisher: Hamburg Hamburger Kunsthalle
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Periodical
Year: 2014 Publisher: Abingdon, Oxfordshire, UK : Cogent OA, an imprint of Taylor & Francis,
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Arts --- Humanities --- Arts. --- Humanities. --- Fine Arts - General
Book
ISBN: 9782960118315 Year: 2014 Publisher: Liège Centre culturel Les Chiroux
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La police et la photographie font toutes les deux force de loi : l'une par ses prérogatives dans le respect de l'ordre, l'autre par sa technique et son pouvoir d'attester. Pas étonnant dès lors qu'elles se soient rencontrées et que les travaux d'enquête aient rapidement vu dans la photo un outil précieux pour déterminer les faits et établir la vérité. A côté de cette question de l'indice et de la preuve par l'image, l'exposition aborde aussi la représentation de l'autorité et le rôle social de la police. Le parti pris de l'exposition était de croiser des travaux d'artistes avec des documents d'archives, pour la plupart inédits, dont une sélection de photographies anciennes issues des archives de la police fédérale et visibles pour la première fois.
Art --- fine arts --- Visual perception in art --- Exhibitions --- Photographies --- Police --- fine arts [discipline] --- artistieke fotografie
Book
Year: 2014 Publisher: Knokke-Zoute Ronny Van de Velde
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Art styles --- fine arts [discipline] --- Conceptual --- anno 1900-1999
Digital
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ISBN: 9789491262074 9491262076 Year: 2014 Volume: N° 7 Publisher: Place of publication unknown Posture
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Many projects serve as licenses for adventurous travels and rambles through the most desolate of places in extreme circumstances. Michèle Matyn (b. 1978) uses her camera in a very intense and personal experience of the landscape, and in a fashion highly contrasting to the usual documentary approach of distance and objectivity.Her sensitivity for nature is stimulated by a research in age-old folk tales en customs, anthropological myths and sagas, but also popular comics and films about the narrow, supposed boundaries between man and animal, between human and demon. These animistic thoughts, folktales, and charged places are triggers for Michèle Matyn’s travels. She uses traveling as an atelier. The way of dealing with her surroundings can be read as ‘participative observation’. It connects Matyn’s photography to her performances.
beeldende kunst --- fine arts --- fotografie --- photography [process] --- Matyn, Michèle --- fine arts [discipline] --- Photography, Artistic --- Art, Belgian --- Matyn, Michèle
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